In Memoriam, A Tribute to Those We Lost in 2009

Every year, the earthly roll of golden era gospel singers grows a little shorter as they go on to receive their heavenly reward. To honor their memory, here's a list of those golden era gospel artists who have gone on this year to sing with the heavenly choir. If I have forgotten anyone, please leave me a note in the comments section.

Claude Jeter (The Swan Silvertones)

Hazel Henderson

Willa Mae Dorsey

Bishop Charles Edward Cook (Mighty Gospel Giants)

Ethel Holloway (solo artist, Jessy Dixon Singers, Thompson Community Singers, Ethel Holloway Singers)

Rev. Leroy Taylor (The Soul Stirrers, Christland Singers)

Margaret Aikens-Jenkins

Shirley Joiner (Southeast Inspirational Choir)

Rev. Timothy Wright
(I know that Rev. Wright and Ms. Joiner weren't golden era artists, but because of their influence in the traditional gospel genre, I believe they both merit mention.)

Vera Jean Eskridge Jenkins (The Loving Sisters)

Eugene Smith (The Roberta Martin Singers)

Dr. Horace Clarence Boyer (noted gospel music historian and member of The Boyer Brothers)

Delores "Sugar" Poindexter

Marie Knight (partner with Sister Rosetta Tharpe)

Alexander "Pete" Dixon (St. Paul's Echoes of Eden)

Elder Norvell Woolfork (Clara Ward Singers)

Sister Lucille Barbee

Frances Steadman (Mary Johnson Davis Gospel Singers, Clara Ward Specials, Clara Ward Singers, The Stars of Faith)

O Johneron Davis, Where Art Thou?

By: Joseph Middleton

Just about everyone who has an interest in Golden Era Gospel knows about Albertina, Shirley, Bessie, Cassietta, Delores, Dorothy and James (Cleveland and Herndon) as some of the best known members of The Caravans. Yet, there's one member that's rarely talked about and little is known about her. Her name was Johneron Davis.

From 1953 to 1962, Davis was a member of The Caravans. Davis sang a distinctive soprano register which could easily be picked out in the background vocals. To my knowledge, Davis only led or co-led two songs while recording with The Caravans. Those songs were "In His Name" which was recorded in 1960, and "Remember Me" from her last recording session with the group 1962 in which she duets with Albertina Walker as they sing the "Father, I stretch my hands to thee" portion of the song. Despite her nine years with the group, little is known about Davis such as where and when she was born, what other groups (if any) she sang with, how she became a member of the group, and her life after she left the group in 1962. This post is probably more of a plea than anything else, but I would like some help in finding out about Davis's life. I'll do my part, but I'll need some help. If you have any information about her, please contact me by leaving a message in the comments section of this post.

Thanks!

The bridge between James Cleveland's "Christ the Redeemer" and Donald Byrd's "Cristo Redentor"?

By: Joseph Middleton


The late great Rev. James Cleveland was no stranger when it came to combining elements from other genres of music with gospel. As early as 1959, Rev. Cleveland was transforming secular hits into church friendly compositions when he turned Ray Charles' "Hallelujah I Love Her So" into "Hallelujah I Love Him So." His most popular gospelization may have been when he turned Gladys Knight's "You're The Best Thing That Ever Happened To Me" into "Jesus Is The Best Thing That Ever Happened To Me" for his 1975 double LP of the same title with the Charles Fold Singers.

While Rev. Cleveland drew upon much inspiration from the R&B and pop singers of the day, he may have also drawn inspiration from the world of jazz. In the early 1960s, legendary jazz pianist and composer Duke Pearson arranged a song titled "Cristo Redentor." As the story goes, Pearson saw the famous Cristo Redentor statue in Rio de Janeiro during a trip to Brazil with Nancy Wilson while he was Wilson's accompanist, and was inspired to compose the song. Along with "Cristo Redentor," Pearson arranged three more tracks for jazz trumpeter Donald Byrd's album titled "A New Perspective." "A New Perspective" was released in 1963 for Blue Note records and "Cristo Redentor" became a jazz hit. "Cristo Redentor" featured Byrd on trumpet, Herbie Hancock on piano, Hank Mobley on tenor sax, Kenny Burrell on guitar, Donald Best on vibraphone, Butch Warren on bass, Lex Humphries on drums, a gospel choir providing background vocals directed by Coleridge-Taylor Perkinson, and the sound engineering was done by Rudy Van Gelder.

Some of you may be thinking to yourself "Rudy Van Gelder? That name sounds familiar." If it does, it's probably because he was the sound engineer for many of Savoy's late 50's material produced by Ozzie Cadena. Cadena and Van Gelder's work with Savoy gospel artists can be heard on mid to late 50's material by artists such as The Davis Sisters, The Caravans, The Roberta Martin Singers and The Famous Ward Singers. While that may not have much to do with the works in question from 1963 and 1966, it's still interesting to note from a gospel music historian's standpoint.

In 1966, Rev. James Cleveland, just 6-7 years into his solo career, recorded a project with The Walter Arties Chorale. One of the songs on the LP was "Christ the Redeemer," which is what "Cristo Redentor" translates to from Portuguese into English. Cleveland utilized the Walter Arties Chorale to provide a vocal sound that sounds similar to the Perkinson directed choir on "Cristo Redentor." When you listen to Cleveland's other work from the same era, "Christ the Redeemer" sounds like a serious departure from the familiar James Cleveland sound typical of his 50s and 60s work. This similar to the departure many jazz artists of the day were making as they experimented with new sounds in lieu of traditional arrangements.

Now, I encourage you, the informed listener to take a few minutes and listen to both compositions and come to your own conclusion(s).

Donald Byrd- "Cristo Redentor" (1963)


Rev. James Cleveland and the Walter Arties Chorale- "Christ the Redeemer" (1966)

Frances Steadman (1915-2009):Member of the Mary Johnson Davis Gospel Singers, The Clara Ward Specials, The Clara Ward Singers and The Stars of Faith

Today, the blog received word from both Shane Steward-Cowan and former member of the Clara Ward Singers and The Stars of Faith, Rev. "Lady" Esther Ford, that Frances Steadman of the Mary Johnson Davis Gospel Singers, The Clara Ward Specials, The Clara Ward Singers and later The Stars of Faith has passed. Steadman died early this Thanksgiving morning at the age of 94. Steadman began her recording career in 1949 with the Mary Johnson Davis Gospel Singers. In 1950, Steadman became a member of The Clara Ward Specials and was recording with the Clara Ward Singers by 1952. In August 1958, Steadman left the Clara Ward Singers along with Marion Williams, Henrietta Waddy, Kitty Parham, and Esther Ford to form The Stars of Faith. Steadman's daughter, Sadie Frances Keys joined the group during the 1960s. Steadman remained with The Stars of Faith into the 1990s and in 2003 at the age of 88, married a past sweetheart and moved to Baltimore. The viewing and funeral will be on Wednesday, December 2, 2009 at Howell Funeral Home on Liberty Heights Avenue in Baltimore. The viewing time will be from 11am-6pm, and the funeral will begin at 6pm. For more information, contact Howell Funeral Home. See this link for contact info: Howell Funeral Home

Bob Marovich will pay tribute to Steadman during his "Gospel Memories" program on Chicago's WLUW 88.7 FM on December 5, 2009 from 10-11am CST. See www.gospelmemories.com for info on how to listen live via the Internet if you're not in Chicago, and for how to obtain the Podcast in the days following the original broadcast should you miss it. In the meanwhile, check out these YouTube videos featuring Frances Steadman.

Frances Steadman sharing a lead on "Our God Is Able" with the Mary Johnson Davis Gospel Singers in 1950

Frances Steadman leading "Sealed Til The Day of Redemption" with The Clara Ward Specials , circa 1951.

Frances Steadman leading "Climbing Jacob's Ladder" with The Clara Ward Singers in 1956

Frances Steadman singing "My Lord and I" with The Stars of Faith during the mid 1960s.

Frances Steadman singing "Climbing Jacob's Ladder" during a concert in 1996.

A portion of a 1990 interview with Steadman by Linwood Heath.

R.I.P. Johnny Fields, Founding Member of The Blind Boys of Mississippi

The Golden Era Gospel Blog has learned from Bob Marovich of The Black Gospel Blog that Johnny Fields, one of the founding members of The Five Blind Boys of Alabama has passed. Fields died in Henderson, North Carolina at the Maria Parham Medical Center on Thursday, November 12, 2009. Information about Fields's funeral service will be posted as it becomes available.

The late Dr. Horace Clarence Boyer to be honored in Orlando, FL on November 1, 2009

The late Dr. Horace Clarence Boyer, golden era gospel music recording artist, composer, arranger, and one of black gospel's most well known historians and steadfast supporters will be honored on Sunday, November 1, 2009 at Cathedral Church of St. Luke in Orlando, Florida at 4PM. The Central Florida Diocesan Choir will sing songs that were arranged, performed, and composed by Dr. Boyer. More information about this event honoring Dr. Boyer's life and legacy, please see this article at the Orlando Sentinel's website.
Gospel music's Horace Boyer honored on Sunday

The Golden Era Gospel Blog Interviews a Gospel Legend: Ms. Julia Mae Price-Williams

By: Joseph Middleton

Julia Mae Price-Williams is a living legend. Ms. Price-Williams has sung with legendary groups, including The Davis Sisters and The Caravans. You can hear her voice on songs with The Caravans such as "Carry Me Home" and "Jesus Will Fix It." Today, she sings with the Johnny Thompson Singers of Philadelphia and regularly tours overseas in Europe. The Golden Era Gospel Blog was blessed when the opportunity arose to interview Ms. Price-Williams.

When did your gospel singing career first begin?

Julia Mae Price-Williams:I began singing at the age of 3 at Second Baptist Church, where my father,The Late Rev. Julian Price, was the founding Pastor.

Did you have any influences on your singing style, such as other gospel artists?

Price-Williams:I loved the style of Albertina Walker, she's my idol.

You're best known for your days with The Caravans. I've heard those recordings from the late 60s in which you, along with Albertina Walker and Loleatta Holloway tear songs to shreds, especially "Carry Me Home" and "Jesus Will Fix It". How did you end up singing with them?

Price-Williams:Albertina heard me singing on a program in Baltimore, my home town. She later contacted me, I had previously sung with The Davis Sisters.

Price-Williams during her days with The Caravans.

I know while with The Caravans and The Davis Sisters, you met and sang with people whom we now consider icons today, such as Ruth Davis, Jackie Verdell, Imogene Greene, James Cleveland, Dorothy Norwood, Albertina Walker, Cassietta George and Inez Andrews. I know you're a gospel legend yourself, but how did it feel to work with those other legends?

Price-Williams: Working with The Gospel legends, was a learning tool for me.

Do you still keep in contact with any of the remaining members who sang with The Caravans?

Price-Williams: Yes,I still keep in contact with some of the girls. I last saw them in August 2008 in Chicago. I was a guest artist on the Albertina Walker Scholarship Program that she has annually.

Have you participated in any of the recent reunion concerts with Albertina, Inez, Dorothy and Delores?

Price-Williams:I have not participated in any of the concerts, due to my traveling with The Johnny Thompson Singers of Philadelphia.

What have you been up to since you left The Caravans?

Price-Williams:I keep busy as much as possible. I do concerts, I travel, and do other church work.

Do you have any plans to release any new recordings?

Price-Williams:.I would love to record, but the opportunity has not presented itself.

What's your opinion about modern day gospel music?

Price-Williams:I love the modern day music, and I can sing some of it, but as you know, my forte is old school Gospel.

Finally, I know that you're active on YouTube and Facebook, and you've seen firsthand, the interest that the younger generations have in you and the music from the Golden Era. What do you think about that?

Price-Williams:I am really elated that the younger generation likes my music. I'm really young at heart myself. Thank you for the interest in me. God bless you in all your endeavors.

More links of interest:
Julia Mae Price-Williams Sings "Jesus Is The Best Thing That Ever Happened to Me"
Price-Williams sings "To God Be the Glory"
Price-Williams sings at New Antioch Baptist Church in Baltimore in 2009